This is hardcore - The importance of (sub)culture in music.
Last night I travelled to Leeds to see a triple bill of Polar Bear Club, Shook Ones, and The Title Fight play in a small dingy side room at the Cockpit (which itself is small and dingy).
I went to shows like this all the way through my formative years, and never thought anything of it, but now, a good few years since I last went to such an event, standing at the bar feeling decidedly 'too old for this shit' (Glover, 1987), I could think about the subculture that I know as 'Hardcore kids'.
The first thing that struck me that evening was the huge mix of ages, both on stage and in the crowd, and how young and old appeared to be 'as one' with no divide.
And by 'as one' I mean they were ALL going "fucking mental".
If you have never witnessed a mosh pit at a hardcore show then it is a bizarre mix of violence, anger and camaraderie. Arms are flailing and fists are clenched, with all the intent that suggests, but if somebody hits the deck they are immediately picked up and offered a consolidatory arm around the shoulder and quick singalong before festivities resume.
It's the closest you'll ever get to a real life fight club, set to fast punk rock music.
Violence at gigs isn't really my thing, but I get it. It's loud angry and incendiary music that is made for the kids, by the kids. No matter how old those kids get. The Title Fight and Shook Ones looked like they'd entered some sort of elaborate 'father and son band competition', with the former band making me feel decidedly old as their youth was only overshadowed by their brilliance. However, once Shook Ones burst into life onstage they were ageless. The power that music has means that you never need to grow up, not if you don't want to.